StoriesFrom our archive
When critics started hearing Disclosure.

“Disclosure’s Settle wasn’t just the best debut LP of 2013”
Pitchfork called Settle the best debut LP of 2013. Here are six later reviews that heard Disclosure elsewhere, in the order they were written.
Each comparison is something a critic wrote, dated, and linked where the review is online. It is not a claim about who shaped whom.
Watch this story on TikTok (opens in a new tab)RESIDENT ADVISOR ON KAYTRANADA · 18 MAY 2016
“like neo-soul as filtered through Disclosure”
99.9% by KAYTRANADA, 2016
Read the review (opens in a new tab)PITCHFORK ON BICEP · 30 AUGUST 2017
“a moody anthem in the vein of Disclosure”
Bicep by Bicep, 2017
Read the review (opens in a new tab)ROLLING STONE ON DJ KOZE · 4 MAY 2018
“think Disclosure’s Settle designed less for a discotheque than an Ayahuasca ceremony”
Knock Knock by DJ Koze, 2018
Read the review (opens in a new tab)RESIDENT ADVISOR ON ROCHELLE JORDAN · 10 MAY 2021
“UK garage-leaning percussion that wouldn’t be out of place on a Settle-era Disclosure track”
Play With The Changes by Rochelle Jordan, 2021
Read the review (opens in a new tab)PITCHFORK ON FKA TWIGS · 24 JANUARY 2025
“pop garage retro-retroism, just a swing away from Disclosure’s “You & Me.””
EUSEXUA by FKA twigs, 2025
Read the review (opens in a new tab)PITCHFORK ON OVERMONO · 8 AUGUST 2026
“set out in the footsteps of Daft Punk, the Chemical Brothers, Disclosure, and Bicep”
Pure Devotion by Overmono, 2026
Read the review (opens in a new tab)
Thirteen years after Settle, critics still hear Disclosure.
Written by synff from the reviews above
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Read the storyStart with Disclosure.
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