synff
In The End It Always Does, Amber Bain's sophomore triumph as The Japanese House, blooms from heartbreak into buoyant dream pop splendor.
Lush synths and crisp electropop pulse with melancholic buoyancy, wedding raw breakup sting to playful reverie on tracks like "Touching Yourself" and "Boyhood."…
What critics and writers keep reaching for when they describe this record.
Drawn from 3 pieces across 3 sources.
12 tracks·45 min
Spot Dog
Touching Yourself
Sad to Breathe
Over There
Morning Pages
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Indexical reminder of a morning well spent
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